Footprints In The Sand (Live, Rheem Theater, 1986)

Another one from The UpTones live at the Rheem Theater in Moraga, California on November 8, 1986. Captured on Paul Jackson’s cassette recorder next to the sound board, Footprints In The Sand has never been released previously in any format! Now on Bandcamp:

..and select streaming services, here’s a link to links to some of ’em!->

https://distrokid.com/hyperfollow/theuptones/footprints-in-the-sand-live-rheem-theater-1986-2

More to come from this set in coming weeks (we promise!)

Step Down (Live, Rheem Theater, 1986)

Recorded live at the Rheem Theater in Moraga, California on November 8, 1986 on Paul Jackson’s cassette recorder next to the sound board, Step Down was never recorded in the studio, and this is its first digital release. More to come from this set in coming weeks!

Nonuffya Bizznis And The Private Dancers foist Nostalgianon on unsuspecting public!

Neighbors, shocked! Geese, gandered!  Suddenly, a pirate ship appeared before the horizon!

Learn more and listen:

https://distrokid.com/hyperfollow/nonuffyabizznisandtheprivatedancers/nostalgianon

https://berkeleycatrecords.substack.com/p/nonuffya-bizznis-new-single-nostalgianon

You may contact the artist at Nonuffya.Bizznis@gmail.com

New release coming soon!

A Caterwaul Rebottle!

Eric Din played a solo acoustic set at Down Home Music on August 12, 2023, and now the full audio is now available (again!) to download.  This is NOT on the streaming services as it had been, briefly. We didn’t love the way the spoken banter tracks were showing up in random streams, and didn’t want to merge the banter audio with the song tracks, so, the solution is you may DOWNLOAD the album if’n ya like!

Here it is at:

iTunes

and

Amazon.

Here’s the original show flier:

Caterwaul along with the fam and cats and doggies!

New single – Safe To Cry Now, by Piero Amadeo Infante

Berkeley Cat Records is very proud to share a brand new single from Piero Amadeo Infante, called Safe To Cry Now. This link will give you shortcuts to hear it on our beloved Bandcamp, and some of the popular streaming services:

https://distrokid.com/hyperfollow/pieroamadeoinfante/safe-to-cry-now

It’s been an honor and a joy to have a role in bringing this song forward, as you may read about in Piero’s notes below.

 

From Piero:

It’s as simple as this:

In the mid-late 1990’s during a really dark phase in my life, I made friends with a lady in San Francisco, and we were both staying at an infamous hotel in the Tenderloin, and one night, getting high, we compared our lives and found them to be remarkably similar, despite our cultural and geographic differences. That night we started crying a lot and she said “I guess it’s safe to cry now” and it always stuck with me. She OD’d in that same hotel around three weeks later, and the song idea stayed with me for decades as a memory of her.

I sang it for Eric Din, around 1999-2000 and he never forgot it and over the years, asked about it a lot.

I ran into him and Tom Pope (the Drummer on the track), at a local bar, and Tom, a normally soft-spoken guy, was a little tight that night, (The Hotsy Totsy makes excellent drinks) and went a little “gunny sergeant” (Full Metal Jacket) on me “You need to be singing and playing!”

So I was like “Yes sir! Help me record it then!”

Eric simply booked the session with Michael Rosen at East Bay Recorders, and Tom came out from NYC to do the ethereal drum track, My friend Amir Zitro laid a perfectly placed bass, and in the end, Grammy award winning producer and mixer Reto Peter from Small Tone Music, mixed and mastered it.

The song is the memory of my life as a child on the run, my feelings for the beauty and sadness of the lady who I’ll call “Natalia” and of all the lost kids I know who had to find their own way home.

I hope the people who understand, get something from it.

It’s safe to cry now. I got you.

Love,

Piero Infante

November 8th, 2023

We invite you to listen and share the song on your socials or blogs or whatnots, using the aforementioned link or any of the links therein. This song means a hell of a lot to me personally, and maybe sometime I’ll write more about it myself, but for now, let it speak for itself and I thank you, Piero, for creating this profound and unique work. We got you too, man.

-Eric Dinwiddie