Oom Chugga Remix Challenge – Episode 1 is here!

Greetings one and all, I am SO pleased to announce our FIRST WINNING ENTRY in the OOM CHUGGA REMIX CHALLENGE! And you KNOW I’m excited because cats don’t usually use ALL CAPS. This is a perfect first round, and our friends Micblake, Chris Burger, and Josh Lubensky have set the bar HIGH! These cats totally got the spirit of this endeavor and delivered a powerhouse reinvention of Oom Chugga with some awesome and up to the minute verses. Have a listen, do. And please share it to the moon and back. Thanks!

-Dinsky

Micblake & Chris Burger leading the way

What Is This Oom Chugga Remix Challenge?!

We are so glad you asked. Russ Ellis made this fabulous track for his now nearly completed album, Songs From The Garden. And we all thought it would be a great track to invite people to rap or sing or play instruments or rant poetry over, or remix or reboot however the inspiration may strike you. Russ’s theme for this is simple and direct: he wants to motivate people to VOTE, especially young people, to VOTE VOTE VOTE VOTE VOTE!! Go.

How Can I Participate In This?!

Again we are glad you asked! All you need to do is get in touch and let us know who you are and tell us a little about what you have in mind for your remix! Then we may, at our discretion, send you the high-resolution, Dave Ellis-produced, audio STEMS for you to download and have at it. So easy.

Send an email to: oomchugga @ berkeleycatrecords dot com
Your note will be magically delivered to the Oom Chugga Remix Challenge committee. We will review and if it’s approved we will follow up with details and the audio and you can get started pronto!

What Happens If You Like My Remix!?

All approved entries will be added to the Oom Chugga Remix Challenge ALBUM! – a digital release on Berkeley Cat Records which will be hosted at BandCamp and then released to the streaming wilds. Get in touch and we’ll tell you more.

What Does The Original Track Sound Like?!

You ask all the good questions, don’t you? Here is the ORIGINAL, uncut, direct from Ellis Island Studios, song that started us down this path, Oom Chugga!

That address again is: oomchugga @ berkeleycatrecords dot com
I spelled it that way so the bots wouldn’t spam us. Kitties don’t like spam.

Register and VOTE!!

Long Time by Russ Ellis

Ladies and gents, the 11th track on the Russ Ellis album-in-progress, “Songs From The Garden,” is here! Long Time is a collaboration involving Russ Ellis, Dave Shul, Zoe and Dave Ellis, and Al Marshall. It’s a classic love song, though brand new. Please have a read and a listen and a share. Russ’s notes and the lyric sheet you’ll find below. With Russ’s vocals recorded by Jeremy Goody at Megasonic Sound, the Daves recorded in their home studios, and everything mixed together by Mr. Shul, I’m delighted and honored to host this, and without further ado, here’s Long Time.

-Dinsky

Liner notes from Russ:

My son said last month, “Dad, you gotta have Dave Shul on this album.”

I knew he was right, but was a bit intimidated by the prospect. This was partly so because I did not have anything working in my head that seemed worthy of Shul’s talents and status in the Bay Area music scene. It was also true because of the place Dave Shul occupied in my memory.

It was at Cazadero Music Camp during the period of The Fuzzy Lefties’ management of the camp. I think Dave Shul was about twelve or thirteen. I remember being impressed with how much beer he could drink, but when I first witnessed him playing the guitar, he seemed like the instrument’s avatar. I was genuinely astonished that that small person could play like that. There was too much wisdom in his playing. I had him pegged as a kid.

I did work up the courage to send Shul a Voice Memo of a lurking tune. I sent him the line beginning “You been with me a long time….” Later I sent him what I thought might have the makings of a chorus, beginning “Still can’t figure why you stayed with me.”

He immediately wrote back. “Reverse them.” The next day he sent me the basics of what the song became. I am extremely happy with the outcome, just as my voice seems to be fading into the sunset. It’s my last recording.

Thank you, Dave Ellis, for the suggestion.
Thank you, Dave Shul, for bringing the song into existence. 


Credits:

Words: Russ Ellis, Zoe Ellis
Music: Russ Ellis, Dave Shul
Arrangement: Dave Shul
Guitars, Dave Shul
Drums, Al Marshall
Horns, Dave Ellis

Recorded at the various homes and studios of the cats listed above
Russ’s vocals recorded by Jeremy Goody at Megasonic Sound

© 2019 Zadell Music, ASCAP

Russ and Bella Ellis – Apollo 11

How much am I freaking out? Oh a lot. This glowing meteor just landed in my backyard, the latest from Russ Ellis, this one featuring his granddaughter Bella. Climb aboard, strap in and put on your space helmets, kitties, cos we are blasting off to EDM pop heaven. For track 10 on this album, I am proud to present, Apollo 11! I’m over here discoing down in my Spaceman Spiff pajamas, people. I invite you to have a listen, download if you like, read Russ’s liner notes and share it to the moon!

-Dinsky

Liner notes from Russ:

Dave Ellis and Lauren Rivera blessed my wife and me with our first grandchild in the year 2000.

And what a blessing. Bodacious. Dancie. Verbal. Tuneful starting at around three.

So, in thinking about collaborations for this album, I thought of her. Bella and her father had come up with some playful collaborations over the years. I was certain she would be up for it.

When I asked her, she readily agreed. Bella suggested some possibilities from a menu of compositions she was creating in her dorm room at San Francisco State University, where she is a student in the Theater Arts Program.

We settled on Apollo 11, largely because I had just watched a PBS documentary on the mission called “Eight Days to the Moon and Back”. I reviewed the documentary for the astronauts comments that I found interesting.

Bella made a few adjustments, and her Daddy Dave mixed it. Here it is.

Lyrics:

Fly so high, up above.
Fly so high, soaring through the sky.

Apollo 11, I hear the rocket taking off.
Soaring through the sky.

Fly so high, soaring through the sky.

Apollo 11
Apollo 11
Apollo 11
Fly so high, soaring through the sky.

Apollo 11, I hear the rocket taking off.
Soaring through the sky.
Fly so high, up above.
Apollo 11

Credits:

Music: Bella Ellis
Voice: Russ Ellis & Bella Ellis

© 2020 Ellis, Ellis and Ellis
Zadell Music, ASCAP

Produced by Bella Ellis and Dave Ellis at Ellis Island Studios

Chicka Ding by Russ Ellis

I’m excited to announce the release of this new song from Russ Ellis. Russ told me a few weeks ago he wanted this to come out on May 1, International Workers’ Day, to which I said, “right on, let’s do it.” It’s May 1, here it is! Please share this far and wide. This is track 9 (wow!) for Russ’s album-in-progress live, Songs From The Garden. I also thought this was a good moment to share the lovely portrait of Russ by the great Judy Dater, which will be part of the CD package, fairly soon, I think! Without further ado, I invite you to have a read and a listen, to “Chicka Ding.” Thank you.

-Eric Din

UPDATE: Check out the video for this song, here! 

Liner notes from Russ:

Al Marshall was another of those Bay Area kids that went to Berkeley’s Cazadero Music Camp. He and his talented family came to family camp, kids’ camp, jazz camp. As he dove into his teen years, he spent a lot of time up in Dave’s room “crankin’ jams.” So I was told.

His musicality was beyond doubt. Thinking about collaborations for this album, he was yet another of Dave’s friends that, early, came to mind. We bounced ideas around online for a while. Highly motivated, I sent Al many, many borderline-absurd Voice Memo’s trying to capture my idea for the piece. (It is only recently that I learned from Al the amount of time he spent cracking-up at these e-sillies, until —he says— he saw how they advanced his understanding of my idea for the enterprise).

Then I spent a couple of long sessions at the big, funky studio in the basement of his Oakland home. I left him with the chicka ding chant, some squawks, burps, shouts, pronouncements and the responsibility of finding a groove that matched my political intentions for the song.

When he successfully put it all together, he handed it off to David for tweaking & mixing. Happily, my daughter Zoe decided she wanted to play and included her daughter, Lily.

If, somehow, one young person is moved to vote in November in the direction this suggests, I will rest in peace.

Chicka Ding.

Lyrics

Rich man with your appetites,
Gonna bite you. Gonna bite
Poor man eatin’ race for lunch
You’re starvin’. You’re wasted.
You need to eat some real food.

Listen fool.
Divide and rule.
That’s what they do.
Let’s change that.

Russ Ellis: Voice
Al Marshall: Music
Zoe and Lily Ellis: Voice

Mixed by Dave Ellis @ Ellis Island Studio

References

“Eleven/Twenty Twenty” – The presidential election.
“MacVout” – Slim Gaillard
“Rope-a-dope” – Muhammad Ali
“So, How’s This Set Up?” – Robert Reich
“Alreet” – Cab Calloway (via Geordie slang?).
“Oo, She tee-nincie” – Greta Thunberg.
“Bubba Shoop Shoop” – “Get ready.” Neologism created for this tune.

© 2020, Russ Ellis and Alcide Marshall
Zadell Music, ASCAP

Night Driver by Russ Ellis

When Russ Ellis told me his concept for this album late last year, I loved the notion of recording songs in various genres he’s known and loved throughout his life. This one is Blues with a big B. Arranged by the amazing Tammy Hall, who also rocks the piano to bits on this track, “Night Driver” features the mighty Dave Ellis on Sax and the marvelous Rhonda Benin in a duet vocal with Russ. Have a listen and read Mr. Ellis’ liner notes below, and share it up any ol’ which way ya please! Thank you.

-Dinsky

Liner notes from Russ:

We had increasingly attractive record playing outfits in our small new home in George Washington Carver Manor Annex in southeast LA. The 78’s and 33’s were neatly stacked but not in any discernible order. Count Basie (my father’s) might be close to Debussy or The Sons of the Pioneers (my stepmother’s), but black music dominated.

Jimmy Witherspoon (“Ain’t Nobody’s Business”) was fine, but I seem to have learned that T-Bone Walker was not. My dad was more inclined to Basie than to Ellington, although he bought everything Ellington recorded. Drink bent my father toward the blues. The more drink, the nastier the blues.

I learned that the blues were important and, during the folk music explosion, I purchased and wore out my copy of Robert Johnson’s “King of the Delta Blues”.

But I would never dare to sing the blues. I was not up to the subtleties. Although I could hear them, I did not trust myself to reproduce them. Also, I was a balladeer, after the fashion of Eliza on this album. But since I’d done a Bossa nova, a country and western, a love song and a folk-like tune, it seemed fitting that I try the blues. My son enthusiastically supported the idea. As ever, my daughter, Zoe, was the enabler.

I mined David’s and Zoe’s connections to assemble the players on this tune, surrounding myself with fail-safe music no matter how well I rendered my song. I call them “The Magic Carpet Blues Ensemble”

The lyrics came easy. I have been astonished at how long my sputtering equipment lasted. But, in no way commensurate with my fantasies. So, I wrote from the standpoint of the perennially bragging black man at the end of his powers. Still pretending. But it’s about loss, as most of the blues is. 

Credits:

Russ Ellis – Vocals
Rhonda Benin – Vocals
The Magic Carpet Blues Ensemble
Tammy Hall – Piano and arrangement
Cedricke Dennis – Guitar
Darryl Anders – Bass
Deszon Claiborne – Drums
Dave Ellis – Sax

Recorded at Bird and Egg Studios by Cam Perridge
Mixed by Cam Perridge

Mastered by – Dave Ellis for ZADELL Productions

© 2020 Russ Ellis
Zadell Music, ASCAP

Lament by Russ Ellis

I’m delighted to announce the release of this collaboration between Russ Ellis and Jay Lane. What I might say about it is mostly said in Russ’s liner notes, below. But I’ll add, this one really reminds me of my dad. He’d love this. Actually, I think he does! I certainly do. Have a listen and a read and a Happy Caturday, y’all! Here we are at song 6 out of 11 for this album 🙂

-Eric Din

UPDATE August 14, 2021: Jason Martineau created a beautiful video for this track, which you can view here.

Liner notes from Russ:

I met Jay Lane when he was 14, the youngest participant in Cazadero’s Jazz Camp otherwise limited to “adults.” We were both enrolled in an “electronic music” class taught by Malcolm Cecil. Yes, that Malcolm Cecil.

For decades after that, Jay has been after me to collaborate on some “Hearts of Space” music. (That was the name of a popular radio show
featuring computerized music). Last year I agreed and this is the result of that collaboration.

We did not plan ahead. It took Jay ages to get his Pleistocene equipment going. When it was ready, we just started. Then we stopped.

Credits:

Russ Ellis: Voice
Jay Lane: Music

© 2020 Russ Ellis and Jay Lane

Produced by Jay Lane