Category: Eric Din

Today Berkeley Cat Records is thrilled to announce the availability of Jupiter Girls by Eric Din on the streaming services. First released in November 2020 exclusively on Bandcamp, this original song is now in Pandora, Apple Music, Spotify, TIDAL, and some other gizmos as well. So exciting. MORE exciting is that there’s a wild and fab new DUB MIX from Eric’s fellow Uptones founder, Charles Stella, as part of the streaming release. We invite you to have a listen and share it up any ol’ which way you may like to! For streaming links, which went live, oh but mere seconds ago, you may go HERE. So easy.

For the story behind the song and the full credits, hava look at the original Bandcamp post, HERE. Magic.

So why streaming services? Why, you ask? Why did we go to the moon? Why do people climb Everest? For exactly no good reasons. Why do cats play with little bits of string? Because it’s there, Aluishis, because it’s there.

A note on the dub mix! If you dig Charles Stella’s dubalicious dubbings you may also enjoy his mix from earlier in 2020, of People I May Know.

There that’s pretty good for one Caturday. Wishing you all a mighty fine and healthy start to 2021.

-The very extensive and carefully vetted staff at Berkeley Cat Records

Berkeley Cat Records is thrilled to announce.. wait, what was it? Hmm.. I may need a snack. Oh! Hahaha yes, I’m So Terribly Stoned, a new collaboration by Eric Din and Damon Wood. Sez Eric: “Damon and I have been good friends and guitar-nerd buddies since forever, and we finally got around to making something together. The process was fun and easy – I sent Damon a track with just my vocal over a drum loop, and within a day he sent me three guitar tracks and a bass track. I loved the way they all worked together and I didn’t edit or change a thing – just positioned everything and mixed it.” Along the way, Shannon Wheeler sent in his interpretation of events to complete the package. We somehow see this as a Christmas or Holiday release, and we understand that won’t make sense to just everyone. Wishing you a safe and merry end of 2020, and wishing us all a bright and creative and healthy new year!

Eric Din: Vocals, P-Bass, production
Damon Wood: Electric guitars, fuzz bass

Artwork by Shannon Wheeler

© 2020 Eric Roy Dinwiddie / Damon Wood
King Roy Music, BMI

We are so thrilled to announce this new single from Eric Din. Exclusively on Berkeley Cat Records thru Bandcamp for now. We’ll prolly put it on the streaming services after some naps. Read the story of the song and lyrics and credits below, and give ‘er a spin right here. If you want the file, click “download” below, and you can have it for Xmas if you like by putting 0 in the dollar amount, that is totally fine, or plop some $ in there to help us offset our costs, and that’s totally fine too. We thank you for your earballs.

Liner notes from Eric:

I had this idea years ago after a wonderful night out at the Jupiter in Berkeley. They had (and hopefully will again!) an ongoing series of outdoor concerts in their large patio near UCB, and I saw a lot of great musical sets there. It being home, I knew many of the bands and folks who worked there over the years. One fine evening with some beers and dancing and carrying on, I watched in awe as servers carried trays of beers and pizzas and pints and pitchers, heroically negotiating their way through the jubilant crowd and making it look easy. I said to myself, if that was me, this would be a quick disaster. While lo and behold, babies, very young tots, joined in the fun, dancing in front of the bandstand, the Jupiter Girls skillfully maneuvered through the crowd and delivered their precious cargo to happy patrons. I thought “that’s a song,” and wrote the verses down on my way home on the 51 bus, slightly pickled and very cheerful. Years, years later, here I am socially distanced, and the memory of that sweet place and that simple, nice moment, gave me the inspiration to finish the song. I recorded the guitars and vocals, added bass and handclaps (I loved recording the handclaps!) and then, mysteriously, I was drawn to the tambura. Took me a while to tune the instrument and when I did, it was a eureka moment – ah, that’s the other-worldly sound, that’s the thing from Planet Jupiter, to my ear, and the way it meshed with the other stringed instruments was magic. I sent a mix of that that to Jay Lane, and asked him to play drums on it, which he did and he sent his tracks over. More magic! I love what Jay did, and there I had multi-track drums and everything else done, but one key thing missing. I had this melody, that I always envisioned to be on trumpet. I tried poking at my little digital sample trigger keyboard thingy and it was OK, but I wanted brass, man! I reached out to Steven Bernstein in New York and sent him the track with my melody idea, and to my amazement and delight, Steve sent me not just the trumpet line, but a whole horn section, arranged and performed as only he could do. So I took these fabulous pieces and mixed it all together and here it is. A homemade band record, featuring three dudes hundreds of miles apart, with our home recording setups and internet connections. One last thought in this lengthy liner note – I am glad that this is a joyous song. Some friends of mine have also recently observed – we don’t seem to need a lot of extra gloom right now. I don’t, anyway. The simple memory of a fun night out galavanting with friends and dancing to a hot band, is really special to me right now. I’ve been in the band, I’ve been in the audience, I don’t know what comes next. But I’m so grateful I can still create and have some long distance fun with some great people, and hopefully make some things folks will enjoy. Oh! The cover art – I sent my thoughts to Shannon Wheeler when the track was in its first stages – just guitar and vocals, and told him the story. He interpreted it as you see here, and as always, Shannon brought a humor and absurdity that is uniquely his own, and as you can see, there aren’t just a few babies, everyone is a baby! Which, you know, is true on some level. The one grown-up in the picture, apparently, is the heroic and unflappable Jupiter Girl. I found his drawing perfect and strangely hilarious, and there ya have it, weeks plus years in the making, the last single before I compile my first solo album, I give you,
Jupiter Girls.

Jupiter Girls

So fine,
Always on my mind,
Until five,
I do my work online,
And then I must get outside,
Take the 51 line,
Stop in front of the BART stop,
With my nickles and dimes,

And say
Hello, Jupiter Girls
Hello, Jupiter Girls
Hello, Jupiter Girls
You are my world

Jupiter girls,
We all go crazy,
I don’t mind,
We like to watch you pass by
At the Trumpetvine

Jupiter girls,
They got that walk right down,
Carryin’ all that precious cargo,
And it never falls down, no,
Not on the dancing babies,
Not on me and my friends,
That jazz band keeps on wailing,
They take it up a peg

And say
Hello, Jupiter Girls
Hello, Jupiter Girls
Hello, Jupiter Girls
You are my world

We all go crazy,
It’s just fine,
Me like to watch you pass by
At the Trumpetvine,

And say
Hello, Jupiter Girls
Hello, Jupiter Girls
Hello, Jupiter Girls
You are my world

And say
Hello, Jupiter Girls
Hello, Jupiter Girls
Hello, Jupiter Girls
You are my world

© 2020 Eric Roy Dinwiddie
King Roy Music, BMI

Eric Din: Acoustic and electric guitars, bass, vocals, handclaps, and tambura

Jay Lane: Drums

Steven Bernstein: Trumpets, flugabone, alto horns, slide trumpets, piccolo trumpets, and mellophones

Artwork by Shannon Wheeler

Produced by Eric Din for Berkeley Cat Records